Any sizable (about 15x10) palette with a non-absorbent surface. John Pike palette is recommended.
Paper:
Watercolor paper (cp 140 lb. 22x30, such as Fabriano, D'Arches, Kilimanjaro...)
Strathmore 500 sereis illustration board, 22 x 30 or others with a hard surface.
Unsized rice paper (for marbiling and monoprinting, Daniel Smith's Kozo Lightweight or Cheap Joe's Sekishu White are reccomended. See their catalog numbers below)
Masa paper, 21 x 31 (for crinkling technique)
Brushes:
2" Wide flat squirrel, or other soft wash brush (Isabey or Cheap Joe's Natural wash brush)
1" Wide flat squirrel, or other soft hair (Filbert wash preferred)
1/2" flat squirrel, or other soft hair
Rigger (a small brush with a long handle for lines, such as Cheap Joe's CJHS-5)
Hake flat wash (Cheap Joe's YAFC5-3" wide) for wetting paper.
Color:
Cadmium Red
Cadmium Orange
Cadmium Yellow
Cadmium Yellow Pale
Colbalt Green
Thalo/Winsor Green
Cerulean Blue
Thalo/Winsor Blue
Colbalt Blue
Ultramarine Blue
Alizarin Crimson
Violet (Winsor Violet)
Raw Sienna
Burnt Umber
Sepia
Indigo
Liquid Sumi Ink
These are suggested colors and palette arrangement
Mounting Board :
Regular watercolor paper or any white cardboard for mounting work on Masa/Kozo paper.
Drawing Board :
A piece of white enamel masonite (about 23"x32") for use in painting and monoprinting. This item is available in building supply stores. A 4'x8' sheet can be cut into 6 pieces of 24"x32" each.