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Watercolor Paint Brushes (Synthetic)

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American Journey Interlocked Synthetic Brushes
Cheap Joe's Golden Fleece Watercolor Brushes
Cheap Joe's Kilimanjaro Watercolor Brushes
Cheap Joe's White Synthetic Watercolor Brushes
Starving Artist Brushes
Happy Strokes Rigger
Frank Webb Liner Brushes
Cheap Joe's Angle Shaders
Fritch Scrubbers
Fritch Soft Scrubbers
Fritch Level Lifters
Art-Kure Watercolour System
Grumbacher Golden Edge
Jack Richeson 9000 Rounds
Jack Richeson 9010 Flats
Loew Cornell Golden Taklon Brushes
Princeton Art & Brush Sets
Robert Simmons Expression
Robert Simmons Sienna Brushes
Robert Simmons White Sable Brushes
Royal Langnickel Majestic Brushes
Royal Langnickel White Taklon Brushes
Tom Lynch Brushes
Winsor & Newton Series 680 One Stroke
Winsor & Newton Series 860 Riggers
Winsor & Newton Series 985 Flats
Winsor & Newton Series 995 Flats
Princeton Mini Brushes
Stephen Quiller Watercolor Brushes
 
Synthetic Watercolor Paintbrushes

What does this mean anyway? No, it’s not like pseudo painting or anything like that. But, the story is kind of interesting if you are part of the ever shrinking populous of readers who cares to read on.

Peaked your interest, did we? Ok, here’s the point. Fine artists paint brushes have been made from the natural hair from animals for centuries. Animals with great hair generally don’t do requests. So finding materials to make brushes has always been a challenge, along with being pretty darned expensive too.

In a quest to try to make "the better paintbrush" technicians began experimenting with synthetic fibers like nylon. As you have probably noticed plastic is by in large much better at keeping water out than at keeping water in. There began the process of trying to find out how to make plastic fiber absorbent. What the brush makers finally found was… (our belief is this scientist was a woman) that synthetic fiber treated with a chemical, like an acid, caused the fiber to get little pits in the surface. Just like when you color your hair. It becomes extremely absorbent. Those little pits give the water/paint/color a place to sit on the brush hair until it is applied to the painting surface. (That woman was pretty clever, huh?)

Then the paintbrush makers were left with the other characteristic that differentiates synthetic fiber from natural hair… split ends! Yes, the little split at the end of a hair makes for a great point on an art brush. Monofilament nylon doesn’t have that. The next step to solving this dilemma was to stack the fiber to artificially make a point. What results looks more like a steppe pyramid. Not exactly what they were hoping for. The real solution was a combination of stacking but using varying thicknesses of filament. This discovery not only created a nice point, but also gave synthetic paintbrushes a feel when painting much more like brushes with natural hair.

So, when shopping for artists paint brushes now you know the whole story behind synthetic brushes. Not only is synthetic easier to catch than an animal, it’s less expensive and more durable to paint with. Okay, maybe it wasn’t worth reading all this, but it should help you become a better shopper for your art materials and thereby a better artist.

 
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