Daniel Smith Extra Fine Watercolor - Quinacridone Burnt Orange, 15 ml

Item ID
DSW086-15

Availability: Out of Stock

Quick Overview

Daniel Smith Extra Fine Watercolor, Quinacridone Burnt Orange, may be added to French Ultramarine to create dramatic sky washes with a gray-blue mix that renders a full value scale. Use Quinacridone Burnt Orange to modify Sap Green in landscapes. Available in a 15 ml. tube.
$13.87
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List Price $23.12

Daniel Smith Extra Fine Watercolors offer the widest range of lightfast, highly pigmented, and unique colors in the world. With more than 260 colors, you can find your creative inspiration in traditional watercolor hues, gorgeous earth colors, granulating paints made from minerals and gemstones, and bright, bold modern hues. Between the Extra Fine, PrimaTek, and Luminescent lines, you can paint anything you can imagine!

Each paint has excellent brushing properties and creates clean mixtures, whether mixing on the palette or layering washes. Formulated to meet and exceed the highest quality standards, each batch is analyzed for its performance qualities of lightfastness, color value, tinting strength, clarity, vibrancy, undertone, particle size, density, and viscosity. Made by hand in Seattle, Washington, USA.

Quinacridone Burnt Orange - Add to French Ultramarine and create dramatic sky washes with a gray-blue mix that renders a full value scale. Use Quinacridone Burnt Orange to modify Sap Green in landscapes to achieve rich, mossy greens that coordinate land with sky. Highly durable and extremely transparent, all the Quinacridone colors excel in vivid clarity and intensity. The Quinacridone family of colors (pronounced kwin ak' ri doan) are high-performance pigments with outstanding transparency and color intensity. Ranging from pink to purple and gold to sienna, they are lightfast with a clarity traditional pigments cannot match. These modern synthetic colors were created in the 1960s for use in automotive paints, where brilliance and lightfastness are essential.

This is a granulating color, meaning a grainy visual texture is created when the pigment particles settle and clump together rather than settling evenly on the painted surface. Granulation is more pronounced on textured papers.

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