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Golden Acrylic Mediums provide infinite control with acrylic colors. These mediums control transparency, viscosity and surface sheen, while controlling paint’s working properties.
Golden Acrylic Mediums provide infinite control with acrylic colors. These mediums control transparency, viscosity and surface sheen, while controlling paint’s working properties.
Glazing Liquid - Golden Glazing Liquid is a specially formulated liquid medium designed to have longer working time than typical acrylic mediums. Very useful for fine art applications where subtle blending, subtracting techniques and similar methods are desired. Also great for decorative painting techniques. Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine.
Clear Granular Gel - Used to create textured surfaces. Dries to a hard film. To increase its flexibility, mix in other Golden Gels or mediums. Blends with Golden Acrylic colors.
Clear Tar Gel - Designed to yield a tar-like feel but in a colorless gel. This gel has an extremely resinous and stringy consistency, which makes it feel very different than other acrylics. Useful for generating fine detailed lines by "dripping" it over surfaces, as it continuously flows from palette knives or other tools. Blends with all Golden Acrylic colors (though Fluids work best) to offer a full range of colors with which to work.
Coarse Molding Paste - A thick, warm white colored medium that is translucent up to about 1/8". Dries to a hard surfaced, stiff but flexible film with a tooth like fine sandpaper. The dry film accepts wet and dry media very well. Mix with Golden Fluid Acrylics or Heavy Body Acrylics to create a dense-feeling paint that holds good peaks and dries with a matte to satin sheen with a finely pebbled surface.
Coarse Pumice Gel - Used to create textured surfaces. Dries to a hard film. To increase its flexibility, mix in other Golden Gels or mediums. Blends with Golden Acrylic colors.
Extra Heavy Gel - Thicker consistency than Golden Heavy Body Acrylic colors. The thickest of Golden gels, along with the High Solid Gels. Blend with colors to increase body. Excellent for holding peaks and impasto techniques. Dries translucent. Available in Gloss, Matte, and Semi-Gloss.
Extra Heavy Molding Paste - A blend of Extra Heavy Gel Gloss and Molding Paste. Dries to a satin, semi-opaque finish. Excellent for increasing viscosity and building surfaces.
Glass Bead Gel - A coarse textured medium with a Heavy Body viscosity that holds peaks. Made with genuine glass beads, its unique visual effect, like that of condensation on cold glass, is best seen in thin films that allow the mono-layer of glass beads to be illuminated on a light colored ground. Glass Bead Gel can appear very similar to Coarse Pumice Gel or Clear Granular Gel when mixed with enough paint to hide the appearance of the glass beads.
Fiber Paste - This medium offers a dry film that has the appearance of rough handmade paper. Skimming the product with a wet palette knife can make a smoother surface. When dry, it has an off-white color and is very absorbent, making it ideal for use with acrylic and watercolor washes or inks. It has a thick, somewhat sticky feel in the wet state.
Heavy Gel - Thicker consistency than Golden Heavy Body Acrylic colors. Blend with colors to increase body. Good for holding peaks. Dries translucent. Available in Gloss, Matte, and Semi-Gloss.
High Solid Gel - Thicker consistency than Golden Heavy Body Acrylic colors, while being similar to Extra-Heavy Gels. Offers higher gloss, lower shrinkage and dries to the touch quicker than most Gels. High Solid Gels are good for holding peaks. Blends with colors to make them feel more oil-like and increases retention of brushstrokes.
Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic. The density of the wet product is over 50% less than Golden Molding Paste. This results in a significantly lighter film. This dramatic weight reduction will be beneficial in creating artworks that are large in size, have thick film build-up, or both. The product dries to an opaque, matte finish. The consistency is designed to hold stiff peaks to create a highly textured surface. Blends with Golden Acrylic colors.
Matte Medium - Matte Medium is a general purpose, pourable medium useful for extending colors, decreasing gloss and increasing film integrity. May be used as a ground, instead of gesso. Dries to a matte finish.
Molding Paste - Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with Golden Acrylic colors.
Gloss Medium - Golden Gloss Medium is a general purpose liquid medium useful for creating glazes, extending colors, enhancing gloss and translucency and increasing film integrity. Has a unique feel that is much more oil-like or resinous in nature and that promotes flow and leveling. Dries to a gloss finish.
Regular Gel - Same creamy consistency as Golden Heavy Body Acrylic colors. Ideal for extending paint and regulating translucency without changing the consistency of the Heavy Body and Matte colors. Holds moderate peaks and texture. The Regular Gel Gloss is ideal for glazing and other techniques where transparency is desired. Available in Gloss, Matte, and Semi-Gloss.
Clear Leveling Gel - Golden Clear Leveling Gel is designed to produce an even film with excellent clarity. The gel has a unique resinous, stringy consistency resulting from the leveling property. This product dries to a flexible, high gloss film, which can increase the transparency and sheen, while imparting a leveling quality to other Golden Acrylic products. Blends with Golden Acrylic colors to produce glazes. The thinnest of the gels.
Soft Gel - Thinner than Golden Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Soft Gel Gloss is ideal for glazing and other techniques where transparency is desired. Soft Gel Gloss is useful as a non-removable isolation coat, applied over an acrylic painting prior to varnishing. Must be thinned with water, 2 parts Soft Gel Gloss to 1 part water. Do not use Soft Gel Semi-Gloss or Matte for this purpose. Available in Gloss, Matte, and Semi-Gloss.
Wetting Aid - Golden Wetting Aid is a concentrated acrylic additive used to increase the slickness and flow of the paint. It allows you to achieve rich stains on porous surfaces and other watercolor-like effects with acrylics.
